Showing posts with label textiles. Show all posts
Showing posts with label textiles. Show all posts

Final big show on Nova Scotia's South Shore

For 7 amazing years, TAMMACHAT has visited and worked with more than a dozen weaving co-ops, social enterprises, certified fair trade businesses and family weaving groups in Thailand and Laos.

Our heartfelt thanks go out to the hundreds of women weavers who welcomed us into partnership to preserve their artistic and cultural traditions, to enhance the status of women and to create additional income for rural families. Now it's time for a change. Read more...

But first, we invite you to join us for our final big show of 2014 in Mahone Bay, Nova Scotia: Oct. 3-5, 2014, during the Great Scarecrow Festival & Antique Show. More details...


Connect with TAMMACHAT in 2014!


  • Browse our fairly traded textiles at one of our upcoming shows in Nova Scotia in the summer and fall of 2014. See our Events page for listings.
  • Order silk scarves and fabric by email – you can find them online.
  • Find our wrap pants, reversible hats and other TAMMACHAT textiles at the Cosmic Hippie Boutique at 498C Main St. in Mahone Bay, Nova Scotia.
  • Re-discover our website and blog where we archive our stories from years of visits with the amazing women's weaving groups that welcomed us. By keeping the TAMMACHAT website online, we continue to network those interested in SE Asian and fair trade textiles, weaving co-ops and more. This  will continue to be an important part of our work to promote fair trade and women's empowerment.
  • Read our weaving books online. Preview them for free in our Blurb bookstore, buy an ebook or order a soft/hardcover edition. Great gifts!
Find TAMMACHAT cotton wrap pants, hats and more at
the Cosmic Hippie Boutique, 498C Main St., Mahone Bay, Nova Scotia




A sampling of handwoven, silk fabrics available from TAMMACHAT.


"Spectacular Textiles of Nan River Basin" -- Exhibition Opening, Chiang Mai, Thailand

We had the good fortune to be invited to the opening night of a new textile exhibition at the Bank of Thailand Museum in Chiang Mai, Thailand on Dec. 20, 2013 -- "Spectacular Textiles of Nan River Basin." And spectacular they are, as was the evening's show.

Guests arrrived in their finery -- dressed in elaborate, handwoven textiles from Nan province, Lanna textiles (from Northern Thailand) and beyond. We enjoyed local food -- noodles of all sorts, bananas roasted over a fire and glazed with pineapple and coconut, sweetened sesame sticky rice balls and other delicacies served in small bowls made from dried leaves secured with hand-carved toothpicks, along with fruit drinks served in cups made from segments of bamboo.

Our focus this trip is to spend more time learning about and appreciating traditional textiles in this region. It was great to see so many young people at the exhibition opening, as without their interest, these traditions face an uncertain future.

Textiles & Books: What's the Connection?

In 2007, when we first visited Luang Prabang, a UNESCO world heritage town in northern Laos, we discovered Big Brother Mouse. We write often about this exciting social enterprise, a Lao-owned and -run book publishing venture that makes reading and literacy fun for kids.


We sell textiles, handwoven by women in rural Laos and Thailand. We do this to help women support their families, communities and traditions. And to share their beautiful, naturally dyed textiles with women (and men) in North America. We follow fair trade principles, as set out by the World Fair Trade Organization. Part of our work is to support community development.

Enjoy photos from Thailand, Laos & Burma

Get a taste of our travels through our Facebook Photo Albums (open to all, not just Facebook users):







Festival of Traditional Arts in a Kaliang Village

Mai of Junhom Banton has kindly invited us to join her at a unique textile festival at a nearby village of Karen people (known in Thai as Kaliang.) The festival is being sponsored by Ban Lai Kaew Weavers, a long-standing fair trade textile group that creates beautiful, naturally-dyed textiles on backstrap looms.


When we arrive, weaving exhibits have already been mounted in some of the traditional buildings that dot the site. In one, there's an extensive exhibit of Kaliang textiles, dyed with the traditional natural dyes that are being revived here in Doi Tao district. Nearby there’s also a display of jok (elaborate supplementary weft-patterned weaving) for which the neighbouring district of Chom Thong is famous.


A large stage has been constructed in the usual country fashion – a wooden platform resting on steel barrels. The platform is then covered with mats. Today the festival name, crafted out of handspun cotton skeins, hangs above the stage. Children, in traditional Kaliang clothing, gleefully run about the site, blowing off some steam before their dance performance.



We wander to an open area, where women are preparing a dye bath with annatto (kamset in Thai, bikkii in Kaliang). Young women from local schools, here for a cultural learning day, are invited to smash the pods with a large wooden pestle in a hardwood trough. They’re instructed by an older woman to leave it to simmer for 1 hour.


Nearby, a bird-like grandmother has begun to spin cotton on a traditional wheel, smaller than the Lao version we've seen by the Mekong, but otherwise the same. A larger, old woman soon joins her with another wheel. Both wear layers upon layers of black beads around their necks and larger white beads on their wrists. The tiny woman chews betel, the larger smokes a pipe, as many Kaliang women do.



While elaborately patterned on a backstrap loom, the traditional Kaliang clothing is simply constructed, similar to a Mayan huipil and corte. The top is seamed vertically and left open in the middle, while the skirt is seamed horizontally. Colours are now usually made with chemical dyes, although the Kaliang’s natural dye traditions are being revived and, today, are being celebrated.


One of the many young women watching, all wearing their school’s sports day attire, is persuaded to try her hand at spinning. The thread soon breaks and the first grandmother comes to her rescue.


Back at the dye pot, the students learn to strain out the annatto with a tool that looks like a giant wok strainer.


An older woman adds water soaked with yahoo (ash water) for mordant. Then they add the skeins of handspun cotton and simmer over the fire. After another 30 minutes the yarns emerge in the deep orange usually associated with Buddhist monks, although this traditional and natural colour has much more depth and substance than the brighter and thinner orange more commonly seen now.


Two pick-up trucks pass by, filled with more students. They shout to Ellen, who is wearing a traditional dress worn by Kaliang maidens, which she was offered upon our arrival. Ellen accepts their offer and climbs aboard. They drive for about 10 minutes and arrive at a field sparsely populated with cotton plants. The noon-day sun is hot, but Ellen happily picks cotton – both white and brown varieties – side-by-side with urban students from Bangkok and others from Kaliang villages further north. She wonders if any of them will be inspired to continue these traditions.



After Ellen returns from her outing, we return to the display of naturally dyed backstrap weaving. Tucked on a low shelf, we find lovely placemats with designs that are an appealing blend of homespun and abstract-modern. We sort through the pile and choose dozens that will make their way later this year to a table near you.

At the same display, we are pleased to bump into Ajarn Nittaya Mahachaiwong from Fai Gaem Mai of Chiang Mai University. (That’s the Cotton and Silk Project we’ve worked with for years to source Eri silk). Today she’s wearing an extraordinary coat fashioned from Kaliang fabric. She’s here to participate in the technical discussions that are part of the day’s events. However, the talks are intended for the local participants and our ride is about to depart, so we say thank you to our hosts and set out for the bus station with our bags of treasure.

Beauties and treasures ready for Quilt Canada 2012

Find these beauties and treasures -- and many more -- at Quilt Canada 2012 in Halifax, Nova Scotia. TAMMACHAT Natural Textiles' booth, with displays and wares changing daily, will be a show within itself. Many pieces are perfect for use in fibre art creations. Many are perfect just as they are.

All TAMMACHAT textiles are handwoven or hand-stitched, mostly coloured with natural dyes. All are fairly traded, as always, to bring income to rural women in Thailand and Laos.

Visit us in Booth 101 in the Merchant Mall, Dalplex at Dalhousie University. Map

Wed., May 30, 2012 -- 9am - 5pm
Thurs., May 31, 2012 -- 9am - 5pm
Fri., June 1, 2012 -- 9am - 8pm
Sat., June 2, 2012 -- 9am - 5pm


Detail of Hmong Flower Cloth

Detail of Hmong Flower Cloth

Detail of Hmong Flower Cloth

Hmong Flower Cloths

Hmong Flower Cloths

Hmong Story Cloth

Hmong Story Cloth

Handwoven cotton organizing pouches

Cotton scarves, handwoven on a backstrap loom
Handwoven cotton shirt

Handwoven cotton jacket

Handwoven cotton samplers for projects

Glorious, naturally dyed, organic silk fabrics

Handwoven "mudmee" designs in indigo cotton

Blossom organic silk travel jewellery pouches

Handwoven Eri silk scarves

Handwoven organic silk scarves in many designs & colours

"Tribal Textiles" in a World of "Fast Fashion"

I was recently asked what I thought about "the sudden interest" in tribal textiles. Yet, my interest, and I'm sure that of many people, was ignited when first I was exposed to them. In my case that was about 30 years ago in Guatemala.

Tribal textiles generally exhibit an unexpected use of form, colour and texture; conversely, mainstream fashions are watered down to appeal to the widest (not wildest) market. Tribal textiles are so inherently different than the mass produced fashions that fill shopping malls that anyone who looks beyond the everyday and the proscribed could not fail to be intrigued by them.

Traditional Hmong "flower cloths" -- reverse applique on hemp

Of course, another important aspect of their appeal is the growing trend towards ethical consumption. Consumers want to have their cake and eat it, too, that is they want to shop their way out of the global crises we find ourselves in environmentally and economically after more than 50 years of expanding, industrial consumption. Tribal textiles fit the bill – because they can be traced back to a time when societies lived in a greater harmony with nature and when production itself was more authentic, that is, more human and less industrial.

Paleung backstrap weavers in Northern Thailand
Contemporary fashion created with traditional Paleung skills

At the same time, tribal textiles' apparently primitive styles are consistent with the DIY trend that has been popular for a generation already. When the understated elegance and expert tailoring of high fashion, well enough haute couture, were supplanted by art students' creations of cast-offs re-assembled into layered collages, the audience receptive to tribal textiles expanded.

But, what does this mean for the women who produce these textiles? Unfortunately, it might not mean much. The current world of "fast fashion" decrees that styles come and go faster and cheaper than a traditional textile can be produced!

Traditional textiles, regardless of their cultural origins, are produced by hand. While many of the women in the Global South who make them might consider $5/day a living wage, it may take weeks to finish a piece. The end result is slower and more expensive than almost anything produced in a factory, especially when you consider the follow-on costs of sourcing, shipping, labelling, marketing and retailing a product that is produced in limited quantities. Economies of scale do not apply here.

Traditional Mien needlework decorates mobile phone pouches

Consequently, many tribal textiles are being bought used and sold by the bale. A trip to the backside of a large market in a culturally diverse area (such as in Northern Thailand) will reveal truckloads of such textiles. But how is this possible?

The saddest reason is that armed conflicts increase the availability of such booty. Loads of pre-owned textiles came out of Guatemala during the genocidal years of the 1980’s, just as loads of used tribal textiles are coming out of Burma now. Many of these have probably been trans-shipped from China, Tibet or who-knows-where.

These pre-owned textiles are then reworked in nearby sweatshops into designs that will have greater appeal outside the original cultures that they were produced by and for. Not only does this provide incomes to merchants rather than artisans, it also robs young people of their cultural heritage by exporting rare patterns rather than preserving them for future generations.

Some fair traders are doing business in a better way, of course. They establish relationships with artisans who are still producing textiles in traditional ways, whether with backstrap looms, with natural dyes and fibres, or with intricate needlework – sometimes with all three. The products so produced are sold in limited editions and at higher prices, because paying fairly for intricate handwork is never cheap, even when the artisan has a much lower cost of living. However, there will always be for a niche market for those who understand the value, as well as costs and the limitations, of artisanal goods.

Designing accent pillows with a Hmong sewing group

Here at TAMMACHAT, we buy our textiles directly from the women that make them, putting money into the hands of artisans who are working to sustain their families, their communities and their cultures. We spend time together discussing how to best use their skills for our markets, without damaging anyone’s environment. Whether it’s a scarf woven on a backstrap loom, a cushion cover decorated with traditional appliqué or a bag that combines both of those skills, we know that the artists who made them were not exploited, nor were their cultures appropriated.

We bring these to market in tens and twenties, rather than tens of thousands. Once a year we return to Southeast Asia to replace last year's treasures that have found new homes. These tribal textiles are neither fast nor cheap but they are fairly traded treasures for those who can recognize the difference.

Alleson Kase
Co-founder, TAMMACHAT Natural Textiles

O is for Organic!

O is for Organic. TAMMACHAT is proud to be one of the featured fibre businesses on the fascinating Product Talk page on the TAFA -- The Textile and Fiber Art List site. A great way to have textile questions answered that you didn't even know you had!

TAMMACHAT's Organic Silk Fabric
Read more:
P is for Printing.
Q is for Quilt.
R is for Rug.

Happy learning! And there's plenty of eye candy for you.

Fresh, new handcrafted textiles now online

We're delighted to bring you fresh, new textiles from our recent trip in Thailand and Laos.  Now available on TAMMACHAT's website.

All our textiles are...Artisanal. Handwoven. Fair trade. Sustainable. Ethical. Eco.

Cotton Scarves and Shawls: handspun, chunky textures, organic cotton, lots of indigo.


Organic Silk Scarves: beautiful, beautiful, beautiful in a lovely range of colours.



 Eri Silk Scarves: handspun, textured, for women and men.



And the Blossom Travel Jewelry Pouch in Organic Silk is here and ready for you!


Drop by TAMMACHAT's website to find more offerings over the next few weeks. Follow us on Facebook  and Twitter for timely postings.