Showing posts with label organic silk. Show all posts
Showing posts with label organic silk. Show all posts

The Jacket Project: One-of-a-Kind Art Pieces

TAMMACHAT Natural Textiles is collaborating on a very special project that transforms fair trade, artisanal fabric from Thailand into one-of-a-kind jackets designed and sewn in Canada. We're thrilled with the first jackets, made with organic silks and handspun organic cottons.

The Jacket Project brings together TAMMACHAT co-founders Ellen Agger and Alleson Kase with Nova Scotian dressmaker Theresa Eagles to create unique jackets, each a work of art that connects women across the world. Two designs are available at TAMMACHAT's November 2012 shows in Nova Scotia.

For more info, see our original blog post -- The Jacket Project: Local Meets Fair Trade.

Organic silk jacket, dyed with stick lac,
featuring mudmee (ikat) panels and cuffs


Organic silk jacket, dyed with stick lac

Organic silk jacket in a natural, undyed cream

Organic silk jacket, dyed with stick lac,
featuring mudmee (ikat) accents.

Cotton mudmee design, using
a traditional Thai wrap skirt fabric

Organic silk jacket in gold,
created with coconut husk and undyed yarns

Organic silk jacket combining solid fabric,
dyed with rosewood, and a subtle earth tone fabric

Handspun, organic cotton, dyed with authentic indigo,
with mudmee accents

Handspun, organic cotton, dyed with authentic indigo,
with mudmee accents

Handspun, organic cotton, dyed with authentic indigo,
with mudmee accents

Handspun, organic cotton, dyed with authentic indigo,
with mudmee accents


The Jacket Project: Local Meets Fair Trade

TAMMACHAT Natural Textiles is collaborating on a very special project that transforms fair trade, artisanal fabric from Thailand into one-of-a-kind jackets designed and sewn in Canada.

The Jacket Project brings together TAMMACHAT co-founders Ellen Agger and Alleson Kase with Nova Scotian dressmaker Theresa Eagles to create unique jackets, each a work of art that connects women across the world. Two designs will be available at TAMMACHAT's November 2012 shows in Nova Scotia.

See photos of the first jackets in our blog post here.


Ellen loves her new indigo jacket!

This is the first organic silk jacket created as part of The Jacket Project.
It combines a silk dyed with stick lac with a beautiful,
ikat (mudmee) fabric, traditionally woven
to be worn as a wrap skirt.

Another organic silk jacket features fancy buttons
and will look great with a silk scarf.

Theresa and Alleson enjoy a break on
a beautiful Nova Scotian fall day.

The Jacket Project's goals are:
  • to bring together the artistry of handwoven cloth created by talented Thai artisans with the creative design and sewing skills of our Canadian team
  • to enjoy the collaboration, the design process and the excitement of transforming the cloth into wearable art
  • to support rural craftswomen -- both in Thailand and Canada

Woven in Thailand, designed and handcrafted in Canada

Theresa's skilled hands guide the fabric.
Made from organic silk or cotton fabric handwoven by women artisans in Thailand, the jackets are designed and handcrafted in Canada. Details from Chinese coin layered buttons to intricately patterned ikat panels, along with the subtle variations in handwoven cloth, make each jacket unique. French seams are used in the silk jackets.

The textured, organic cottons are spun by hand, then dyed with authentic indigo. The highly skilled silk artisans raise heritage varieties of silkworms and create the hand-reeled yarns in their villages, not in factories. Each piece of fabric is woven by hand, using these artisanal yarns, and transformed into a jacket that displays its artistry. See how the cloth is made in the photos below.

Our first jackets -- a collection of handspun, indigo organic cotton and organic silks -- will debut in Halifax, Nova Scotia on Nov. 10 at TAMMACHAT's Ethical Gift Show - Halifax. They will also be available in Mahone Bay, Nova Scotia on Nov. 24 at TAMMACHAT's Ethical Gift Show - Mahone Bay.  This small collection of unique jackets will be available only at TAMMACHAT shows.

Theresa loves working with the ikats (known as mudmee in Thailand).
Each piece of ikat fabric is a work of art in itself.

Theresa lays out each piece carefully to use
the cloth most effectively.

TAMMACHAT works with a dozen women’s weaving groups in Thailand and Laos, visiting them each year to discover new textiles and design new products. These artisan groups continue to practice traditions passed from mother to daughter for generations. The Jacket Project uses fabric from 3 of these artisan groups.

Theresa Eagles, who worked for Suttles and Seawinds in Mahone Bay, Nova Scotia for 20 years and sews with well-known artist Kate Church, brings years of experience to the project.



The indigo and ikat artisans
 
Ellen enjoys the ikat artisans
who create designs large and small.

This artisan skillfully ties the yarns
into an ikat pattern before dyeing.

The dye maker stirs the pot of locally grown
indigo leaves.

Tied yarns are dyed with indigo,
then the strings are removed.

The intricate pattern emerges as the cloth is woven.

Aew, who helps these weavers market
their handwoven products, takes a break with Alleson.

Alleson and Aew discuss designs with the artisans.

This piece of ikat fabric is used in our cotton jackets.



The silk artisans and their organic silk cloth

Mulberry trees and bushes are grown organically.
Leaves are fed to heritage varieties of silkworms
who eat voraciously for a month and must be tended carefully
until they are ready to spin their cocoons.

This artisan reels (unravels) the cocoons by hand,
creating fine silk yarns that are
then twisted to strengthen them.

Local dye materials colour the silk yarns:
young coconut, jackfruit wood, butterfly pea flowers.

Award-winning yarns show hues only nature can offer.

Artisans use traditional floor looms,
made locally from tropical hardwood
and sustainably harvested bamboo.
Both cotton and silk are woven on these looms.

Cerise organic silk, coloured with stick lac, an insect resin,
is used in several of our silk jackets.

This golden silk is shot -- the weft yarns are
coloured with coconut husks and
the warp remains an undyed cream colour --
giving depth to the cloth.




Our thanks to:
  • Pattanarak Foundation (through whom we first met Aew) and Napafai, Aew's social enterprise that works with the indigo ikat weavers
  • Panmai Group and Prae Pan Group, the Thai women's weaving co-operatives that create the handloomed organic silk and cotton fabrics
  • Theresa Eagles -- for the pleasure of working together
  • Wayne Eagles -- for the photos of Theresa's working hands
  • Kate Church -- for introducing us to Theresa
You can learn more about these and our other artisan partners in our Blurb books, free to preview and available in hardcover, softcover and as ebooks.

Organic silk gown by Canadian designer, Michelle Pyxus

Canadian fashion designer Michelle Pyxus bought metres of hand-reeled, handwoven ORGANIC SILK FABRIC from us a couple of years ago. We just received a stunning photo of a stunning silk gown she designed using TAMMACHAT's undyed, handwoven, fair trade organic silk. More wedding gowns to come, says Michelle. Check out her site, Simone's Rose.


Darkrum Photography
Model: Kelsey Johnson
Styling: Valentina Bubalo
Makeup/hair: Asha Roopani

Fresh, new handcrafted textiles now online

We're delighted to bring you fresh, new textiles from our recent trip in Thailand and Laos.  Now available on TAMMACHAT's website.

All our textiles are...Artisanal. Handwoven. Fair trade. Sustainable. Ethical. Eco.

Cotton Scarves and Shawls: handspun, chunky textures, organic cotton, lots of indigo.


Organic Silk Scarves: beautiful, beautiful, beautiful in a lovely range of colours.



 Eri Silk Scarves: handspun, textured, for women and men.



And the Blossom Travel Jewelry Pouch in Organic Silk is here and ready for you!


Drop by TAMMACHAT's website to find more offerings over the next few weeks. Follow us on Facebook  and Twitter for timely postings.

New creations from Prae Pan weaving co-op

Later in January than usual, we're happy to finally arrive at Prae Pan.

Fon, this weaving co-operative's shop manager, returned from maternity leave in December with her newborn son, Pai, who seems to be growing as fast as his name (Bamboo) would predict! No surprise that he (and Fon's breastfeeding) have become a special part of the fabric of life at the co-op's shop: another example how women can shape organizations to best suit their own needs.


Alleson, Pai, Fon and Mae Ouan at Prae Pan's shop

The co-op's Khon Kaen location in Northeast Thailand (known as Isaan) serves as a retail shop, office, meeting space and warehouse for textiles woven by members in 7 surrounding villages. This community business glows with the pride of self-sufficiency that has been a core value of the co-op for over 20 years.

Inside we're excited to find loads of new hemp fabric in a range of beautiful earth tones -- Prae Pan's specialty -- so, of course, we order more hemp tote bags. We designed this bag last year and found it was popular as a knitting tote.


TAMMACHAT hemp tote bag
some of the new tote bag fabrics

We're also excited to find a new design on the shop's ready-to-wear rack. Ellen tries on a pair of these unique culottes and loves them immediately! Comfortable, loose and easy to wear, they come with choices of 2 pocket designs. We carefully choose cotton, hemp and silk fabrics for the body of the pants, then in consultation with Fon and Mae Ouan, we choose contrasting mudmee (ikat) fabrics for accent details.


Ellen sports a pair of cute culottes!

Apparently choosing fabrics works up an appetite! At mid-day, mats are rolled out on the shop's gleaming wooden floors, Pai is put in his hammock and we 4 sit down for another delicious lunch. The rice is Mae Ouan's own. Afterwards dishes are cleared, mats are rolled up and Ellen lays down on the floor for a short rest. ("You ate too much sticky rice so now you want to sleep!" Mae Ouan chides,  in Thai of course.)

Every visit provides us more language lessons and more teachings about natural dyes. We ask Mae Ouan, the resident natural dye expert, to tell us more about krang, the "mother" of pink dyes:
  • The colours are stronger when the insect resin (known as "stick lac" in English) is fresh.
  • Krang can be collected from the trees on which the insect lives anytime -- except rainy season.
  • The resin can be collected after the insect has gone through its cycle and flies away.
  • In former times, most natural dyers raised their own krang (is "raised" the right word when you're dealing with insects?!); the colours were stronger, as strong as chemical colours because it was fresh; now few do this work.
  • Recently, the price has increased 6 times so pink silks will be more expensive than before.

Alleson helps Mae Ouan fold organic silk fabric dyed with rosewood

More local dye wisdom:
  • Colours are stronger in this season because the plants are not as saturated as in rainy season.
  • The shade of grey (or grey-green) produced by ebony fruit depends on how mature the fruit is and whether it's fresh or dried.
  • The leaf of a local vine, baie beuak, yields delicate shades from silvery grey to sky blue: "You don't want the water too warm or it changes the colour." If it's hot, you get a grey-green instead. Mae Ouan cultivates a planting of this that she originally got from a friend in Mukdahan province. She says, "it gives a more beautiful colour,"  so she has shared cuttings from this plant with other Prae Pan members.

fresh ebony fruit

hemp fabric (on the left) dyed with ebony

After this break that has fed our stomachs and our minds, it's back to designing! Over the next several days we look and learn, think and choose, joke and eat. Alleson shows an unexpected fondness for waltzing Pai around the shop, while Ellen probes Mae Ouan for her traditional knowledge and practices her Thai with Fon.

We order bags in almost every colour and size. Bags with zips, bags with drawstrings, bags with dinosaurs and elephants! We re-order bags that we designed 3 years ago, the Prae Pan signature shoulder pouch, and a new design -- a drawstring bag, perfect for smaller knitting projects such as socks, mittens or a hat. This year's version -- improved with feedback from local knitting shops in Nova Scotia -- will be available in the spring.


prototype knitting project bag

Last but not least, we immerse ourselves in the beauty of silks. In their glass-fronted cupboard, we find a small, treasure trove of organic, hand-reeled village silks. We unfold metres of a deep, ruddy rosewood, and smaller amounts of silvery greens and blues, all of which we will bring home with us for Quilt Canada 2012 in Halifax. (We're happy to be a "Special Friend" of Quilt Canada 2012; you can find us in the Merchant Mall, May 30-June 2 in Halifax, Nova Scotia.)

We also choose 28 beautifully unique scarves for our spring shows but find very few of our favourite Prae Pan scarf pattern, lai bpit, which we've named "Tendrils." We check on silk yarn availability (lots!) and order 8 each of 2 of our best selling colour choices -- a krang magenta and a baie beuak mint blue, both on an undyed warp.

Tendrils scarf with ebony fruit dyed weft

After 4 days of visits, we are sorry to say goodbye but thrilled to leave Prae Pan's shop with a true sign of our closeness: Mae Ouan and Fon each gives us a kilo of rice -- this year's harvest -- from their families' rice fields, another sign of our deepening fair trade relationship.

As we leave, Mae Ouan is also saying goodbye to Pai, who is now old enough to leave his mother and return to the village to be looked after during the week by Fon's husband and mother.

We look forward to next year's visit. Khit thung ("thinking of you").

Ellen and Alleson



Panmai, Part 1: Long-term relationships are the heart of Fair Trade

While the standards stipulated by the World Fair Trade Organization (WFTO) guide our business practices, they also highlight the heart in our work. Nowhere is this more evident than in our annual visits to the artisan groups that create our products: our time together personifies the WFTO commitment to maintain "long term relationships based on solidarity, trust and mutual respect." A case in point is our relationship with  the weaving co-operative Panmai Group.

We first met Panmai in 2003. As often happens in our work, we were introduced to them by members of another co-op. The familial network of weaving groups in Thailand and Laos, particularly those established more than 2 decades ago, is deep and wide. Like the babies we see in Thailand, we are passed from the embrace of 1 family member to another, making us wonder whether or when we might stand on our own!

Last month when we arrived at the offices of Panmai, Mali and Ung jumped up to greet us warmly. We left the glare of the sun-baked street, entered the cool shade of their shop and exchanged hugs. With us was our good friend Pii Yai, a volunteer board member of Prae Pan weaving co-operative, who had been pleased to give us a drive to this small market town in Roi-Et, Thailand.


Pii Yai, Alleson, Mali and Ung in Panmai's shop

Mali, whose name means "jasmine," has worked with Panmai for more than 20 years. Ung, whose demeanour reflects the stillness referred to by her name, is a more recent staff member with 10 years service to the group. Between them, they coordinate the production of orders, maintain inventory records, keep the accounts and do all the marketing. This includes attending craft fairs and staffing their only retail shop, which also serves as the offices and warehouse for the group, whose members live scattered amongst villages in Roi-Et and the 2 neighbouring provinces of Surin and Sisaket.

After our greetings, we pore over the inventory on hand – piles and piles (!!!) of organically created silk scarves are safeguarded in glass-fronted, hardwood cabinets. While we're already familiar with most of Panmai's designs, we're always keen to see new designs and, especially, to develop new ones together. This too is one of the tenets of Fair Trade: to develop new products and new markets with the aim of increasing the income of marginalized small producers.

Indeed, we have planned to discuss a new product on this trip. We pull out a sample of a travel-sized jewellery pouch that has been made for generations in East Asia: 8 small pockets clustered around a central well that is secured into a lovely blossom by a drawstring. It's perfect for safe, easy and mobile access to rings, earrings, bracelets and necklaces. When I first saw this blossom pouch, I immediately thought of how lovely it would be in Panmai's signature organic silk.

We explore the dark cupboards, hunting for the perfect colours. We are delighted to find an iridescent pink "shot" with gold – its warp yarns, dyed deep pink with stick lac, are enhanced with a golden weft (crossing yarns) dyed with organic coconut husks.  It is a perfect jewel for anyone's jewels!


handwoven organic silk

Ellen and I then choose an undyed organic silk for the lining, but Mali and Ung advise us that the contrast is too stark, so we reconsider and settle instead on another pink silk "shot" with undyed yarns, resulting in an overall soft pink.

Next, we need a price and an estimate of the making time. Ung makes a call to Jong (whose name remarkably means "clear, diligent, perfect work"). She's not a member of the co-op but has worked with the group for over 20 years as their sewer. We met her on a previous visit when we developed our Silk Squares for quilters and other fibre artists. (See our blog post of Feb. 3, 2008.) Before we thought it possible, Jong arrives on a motorbike from her village nearby.


A team effort in designing the new jewellry pouch

While Mali and I measure the sample pouch we have brought, Ellen goes online to search for layouts to get the most number of circles (the basis of this design) out of a given piece of fabric. Instead, she finds a vague (not vogue!) pattern for the pouch itself. Together, we briefly examine the pattern on our small screen and then Jong disappears upstairs with some silk remnants that Mali has already dug out.


TAMMACHAT's new Travel Jewellry Pouch - prototype

An hour later, Jong emerges with a lovely prototype of the travel jewellery pouch! The making allows us to approve the design as well as allowing Jong to accurately estimate her labour time and cost. Mali adds the cost of the silk fabrics and guesstimates the satin drawstring cost. Ung adds a few baht for managing the project.

We have just witnessed how an experienced and effective production team at Panmai operates. With their combined 50 years of experience, no accountants or computer modeling were needed yet we're all satisfied that a fair price has been arrived at.

These will be mailed to us in Chiang Mai in late February, in time to bring them with us in our luggage to Canada in late March – a truly co-operative effort.

Alleson