Showing posts with label indigo. Show all posts
Showing posts with label indigo. Show all posts

Weaving still calls to us in our travels

Imagine our surprise! Visiting the Hilltribe Museum in Chiang Rai, Thailand today, we encountered handwoven, flowing scarves, dyed with indigo and mango, in cotton and silky cotton-rayon blends. Unlike the backstrap looms favoured by tribal weavers, the "parrot beak" pattern gracing these pieces require the comb and heddles used on the floor looms traditionally used by lowland Lao and Tai weavers. Not surprisely, the designer/weaver/dyer, Atittaya, is originally from Sakhon Nakhon where we purchased these styles in the past. Atittaya says she puts her heart into each piece because she loves this work. If she feels good, she will weave; if she's not feeling calm and meditative, she'll do some dying or wind bobbins. It's easy to see her feelings when you look at her scarves, bags, blankets and even dresses.

Long-time TAMMACHAT customers will recall the indigo scarves with deep colours and a wonderful drape: the ones we brought back in 2008 that quickly sold out. The good news is these are available now in Chiang Rai! Do visit.
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The Hilltribe Museum is a public-benefit organization which aims to help educate local and foreign tourists about Hilltribes' fast disappearing culture. The Museum aims to preserve artifacts and to provide information to tourists and tour operators so that responsible tourism can occur. When people are informed about Hilltribe culture, it is hope that negative impact of tourism on Hilltribe life will be minimized.

The Hilltribe Museum is under the supervision of the Population and Community Development Association.

620/25 Thanalai Rd., Chiang Rai
05371-9167





The Jacket Project: One-of-a-Kind Art Pieces

TAMMACHAT Natural Textiles is collaborating on a very special project that transforms fair trade, artisanal fabric from Thailand into one-of-a-kind jackets designed and sewn in Canada. We're thrilled with the first jackets, made with organic silks and handspun organic cottons.

The Jacket Project brings together TAMMACHAT co-founders Ellen Agger and Alleson Kase with Nova Scotian dressmaker Theresa Eagles to create unique jackets, each a work of art that connects women across the world. Two designs are available at TAMMACHAT's November 2012 shows in Nova Scotia.

For more info, see our original blog post -- The Jacket Project: Local Meets Fair Trade.

Organic silk jacket, dyed with stick lac,
featuring mudmee (ikat) panels and cuffs


Organic silk jacket, dyed with stick lac

Organic silk jacket in a natural, undyed cream

Organic silk jacket, dyed with stick lac,
featuring mudmee (ikat) accents.

Cotton mudmee design, using
a traditional Thai wrap skirt fabric

Organic silk jacket in gold,
created with coconut husk and undyed yarns

Organic silk jacket combining solid fabric,
dyed with rosewood, and a subtle earth tone fabric

Handspun, organic cotton, dyed with authentic indigo,
with mudmee accents

Handspun, organic cotton, dyed with authentic indigo,
with mudmee accents

Handspun, organic cotton, dyed with authentic indigo,
with mudmee accents

Handspun, organic cotton, dyed with authentic indigo,
with mudmee accents


The Jacket Project: Local Meets Fair Trade

TAMMACHAT Natural Textiles is collaborating on a very special project that transforms fair trade, artisanal fabric from Thailand into one-of-a-kind jackets designed and sewn in Canada.

The Jacket Project brings together TAMMACHAT co-founders Ellen Agger and Alleson Kase with Nova Scotian dressmaker Theresa Eagles to create unique jackets, each a work of art that connects women across the world. Two designs will be available at TAMMACHAT's November 2012 shows in Nova Scotia.

See photos of the first jackets in our blog post here.


Ellen loves her new indigo jacket!

This is the first organic silk jacket created as part of The Jacket Project.
It combines a silk dyed with stick lac with a beautiful,
ikat (mudmee) fabric, traditionally woven
to be worn as a wrap skirt.

Another organic silk jacket features fancy buttons
and will look great with a silk scarf.

Theresa and Alleson enjoy a break on
a beautiful Nova Scotian fall day.

The Jacket Project's goals are:
  • to bring together the artistry of handwoven cloth created by talented Thai artisans with the creative design and sewing skills of our Canadian team
  • to enjoy the collaboration, the design process and the excitement of transforming the cloth into wearable art
  • to support rural craftswomen -- both in Thailand and Canada

Woven in Thailand, designed and handcrafted in Canada

Theresa's skilled hands guide the fabric.
Made from organic silk or cotton fabric handwoven by women artisans in Thailand, the jackets are designed and handcrafted in Canada. Details from Chinese coin layered buttons to intricately patterned ikat panels, along with the subtle variations in handwoven cloth, make each jacket unique. French seams are used in the silk jackets.

The textured, organic cottons are spun by hand, then dyed with authentic indigo. The highly skilled silk artisans raise heritage varieties of silkworms and create the hand-reeled yarns in their villages, not in factories. Each piece of fabric is woven by hand, using these artisanal yarns, and transformed into a jacket that displays its artistry. See how the cloth is made in the photos below.

Our first jackets -- a collection of handspun, indigo organic cotton and organic silks -- will debut in Halifax, Nova Scotia on Nov. 10 at TAMMACHAT's Ethical Gift Show - Halifax. They will also be available in Mahone Bay, Nova Scotia on Nov. 24 at TAMMACHAT's Ethical Gift Show - Mahone Bay.  This small collection of unique jackets will be available only at TAMMACHAT shows.

Theresa loves working with the ikats (known as mudmee in Thailand).
Each piece of ikat fabric is a work of art in itself.

Theresa lays out each piece carefully to use
the cloth most effectively.

TAMMACHAT works with a dozen women’s weaving groups in Thailand and Laos, visiting them each year to discover new textiles and design new products. These artisan groups continue to practice traditions passed from mother to daughter for generations. The Jacket Project uses fabric from 3 of these artisan groups.

Theresa Eagles, who worked for Suttles and Seawinds in Mahone Bay, Nova Scotia for 20 years and sews with well-known artist Kate Church, brings years of experience to the project.



The indigo and ikat artisans
 
Ellen enjoys the ikat artisans
who create designs large and small.

This artisan skillfully ties the yarns
into an ikat pattern before dyeing.

The dye maker stirs the pot of locally grown
indigo leaves.

Tied yarns are dyed with indigo,
then the strings are removed.

The intricate pattern emerges as the cloth is woven.

Aew, who helps these weavers market
their handwoven products, takes a break with Alleson.

Alleson and Aew discuss designs with the artisans.

This piece of ikat fabric is used in our cotton jackets.



The silk artisans and their organic silk cloth

Mulberry trees and bushes are grown organically.
Leaves are fed to heritage varieties of silkworms
who eat voraciously for a month and must be tended carefully
until they are ready to spin their cocoons.

This artisan reels (unravels) the cocoons by hand,
creating fine silk yarns that are
then twisted to strengthen them.

Local dye materials colour the silk yarns:
young coconut, jackfruit wood, butterfly pea flowers.

Award-winning yarns show hues only nature can offer.

Artisans use traditional floor looms,
made locally from tropical hardwood
and sustainably harvested bamboo.
Both cotton and silk are woven on these looms.

Cerise organic silk, coloured with stick lac, an insect resin,
is used in several of our silk jackets.

This golden silk is shot -- the weft yarns are
coloured with coconut husks and
the warp remains an undyed cream colour --
giving depth to the cloth.




Our thanks to:
  • Pattanarak Foundation (through whom we first met Aew) and Napafai, Aew's social enterprise that works with the indigo ikat weavers
  • Panmai Group and Prae Pan Group, the Thai women's weaving co-operatives that create the handloomed organic silk and cotton fabrics
  • Theresa Eagles -- for the pleasure of working together
  • Wayne Eagles -- for the photos of Theresa's working hands
  • Kate Church -- for introducing us to Theresa
You can learn more about these and our other artisan partners in our Blurb books, free to preview and available in hardcover, softcover and as ebooks.

Saoban: development with a heart

The capital of Laos, Vientiane, is increasingly a city of contradictions. Our annual visits sound discordant notes that grow shriller with each new year. Gleaming luxury cars (this year I saw a Lotus!) park next to broken sidewalks that expose the stinking sewer beneath. I imagine an unwary tourist falling into one of these manhole-sized openings while gawking at the cake-like decorations that frost the Buddhist temples.

Tourists' cafe tables sprout bottles of Lao beer -- as tasty as it is cheap -- while Asean businessmen savour European wines. The menus of the newer restaurants in the old city centre boast bottles of wine that sell for $100 -- in a country where $50 will feed an impoverished family for a month.

Amidst these anomalies is the fair trade social enterprise that we've come to see. Saoban, meaning "village people," has grown out of earlier sustainability projects in the Lao countryside. Many of these were the work of a local NGO, the Participatory Development Training Centre (PADTEC).

Saoban ("Village Handicrafts From the Heart of Laos") now stands on its own feet, which ideally is the goal of all development projects. It works closely with village artisan groups in many regions of this diverse and mountainous country to provide training in business planning, product development, marketing, and access to micro-credit. In its Vientiane shop we see elaborate tapestry weaving, precious silver jewellery, intricate bamboo basketry and bags of many descriptions.

Saoban's Vientiane shop brimming with handcrafted products

We met Saoban in 2009 when they were establishing their store in Vientiane. That year we accompanied one of their young staff on a visit to a small village several hours outside Vientiane where the women weave intricate bamboo baskets. We were impressed with everything we saw, especially the absence of toxic chemicals often used to produce bamboo fibres. Together we designed a bag that combined the villagers' basket-making skills with indigo cotton produced by another village and sewn by a third group. We also arranged for a Big Brother Mouse book party in the village later that year (and provided the funds for same.)

This year, however, we have come to find products woven from organic cotton dyed with natural indigo. In planning for this visit, we had a meeting on Skype (amazing that we can do some of this work from afar), while we sat in Chiang Mai, Thailand and Bandith Ladpakdy, Saoban's Manager, spoke to us from the shop in Vientiane.

softly draping, handspun organic cotton indigo shawl

We're delighted to find that we do not need to make a special order: on the shop's shelves we find almost everything that we had imagined we might design together. iPad pouches in indigo cotton yarn dyed with mudmee (ikat) designs are displayed almost exactly as we had imagined them! The heritage variety of organic cotton used is inter-planted with upland crops of indigo, corn, beans and chilies. The weaving is done in Central Laos, in an area known for its indigo dyeing. Products like these are then sewn by an urban sewing group in Vientiane, where most of the women work at home.

quilted iPad sleeves in organic cotton

Nubbly, handspun organic cotton scarves and shawls in an assortment of naturally dyed colours are nestled into a large bamboo basket that greets us as we walk in the door.

organic cotton scarves in a handwoven bamboo basket

There are even 2 extraordinary handspun organic cotton shawls, yarn-dyed with traditional mudmee designs in a beautiful mid-range shade of indigo.

rich traditional mudmee design in handspun organic cotton

We spend 2 afternoons at the shop. This is the first opportunity we've had to get to know Shui-Meng Ng, who has worked in development with rural Lao families for decades and is now serving as the Managing Director of the independent enterprise that Saoban has become.

Bandith helps village weavers and dyers organize themselves into groups, select their leaders, learn about business planning and how to set realistic, fair prices for their work. Through his work with more than 300 artisans in 14 villages, he is becoming an important local resource. Bandith is also a key figure in a new Lao Fairtrade association formed by and for Lao social enterprises to support each other and learn about fair trade together.

The Saoban team: Bandith, a volunteer from Australia, Shui-Meng and Samoy

While our focus for this visit has been on handspun, indigo organic cotton, we are also keen to learn that village-based organic silk production is again on the rise after decades of dwindling resources and practitioners. This news prompts us to add to our shopping list an elegant but simply designed silk scarf  in naturally dyed shades of gleaming, burnished metals.

hand-reeled organic silk with weft bands from the looser, outer fluff of the cocoons

We look forward to continue building our relationship with Saoban and visiting some of the more remote villages with Bandith in coming years. Until then, we are anxious to share our indigo Laotian treasures, and a bit more, with fans in Canada.

Also: See our video about a Weaving Bamboo Baskets in Laos.

Alleson

#9: Suchada Cotton: Hearing the Story Again

Dec. 18, 2009

The colour indigo -- painstakingly made from the leaves of the indigo plant (Indigofera tinctoria) -- conjures a depth of blue that can't be achieved with chemical dyes. Repeated dippings of cotton yarns, sometimes more than 20 times, can produce a blue so deep that it appears black. More importantly, traditional cultures on every continent have attached significance to indigo beyond a colouring agent.

We first met Suchada Cotton at the Sunday Walking Market in Chiang Mai last year. Their placemats in deep blues and rich browns snagged our attention as the dyestuffs that produce these colours are not frequently seen in Chiang Mai. More often you’ll see mor hom -- a blue cotton fabric produced in Prae from a "cousin" of indigo.

Conversely, Sakhon Nakhon province in Isaan (the Northeast) is well-known in Thailand for kram -- the Thai word for authentic indigo. This province is also home to the village dyers and weavers who produce Suchada Cotton's fabrics. Combined with the bark of the mango tree, indigo produces a deep green, also a popular colour for Suchada's many handwoven products. The rich coffee browns, the third in their trio of signature colours, comes from ma-kleu (Diospyros mollis), often referred to in English as Burmese ebony.

Talking later with Suchada in her stall at the Night Market, we learned that she’s from this village herself where the story is similar to the story all over rural Thailand: Most of the middle generation of women leave the village in search of factory work so they can bring a cash income to their families. Left in the village are the grandmothers and younger women with children. [Read our story about the Women's Organic Cotton Group in Ban Kokkabok for another version of this typical story.]

The 10 to 20 older women weavers and dyers in this group are rice farmers who do this work to make extra income after the harvest is brought in. These skills are a critical supplement to the family income, especially in these difficult economic times with the global recession reducing income from factory work while inflation increases prices. And Thailand's current political instability reduces tourism even farther.

The photos that Suchada showed us of women in her village show dyepots simmering over fires, leaves and barks being gathered, older women at looms. We've seen these photos before, in fact we've taken them ourselves and will, we hope, continue to see them despite the increasingly homogenous, global marketplace.

The term "slow fashion" truly describes this process of textiles produced by hand -- from the gathering of natural dyestuffs to the finished handwoven fabric, bags, scarves, placemats and tablecloths that come off the loom 2 months later.

Chiang Mai is a lively market for many goods from other parts of the country. Suchada's husband is from Chiang Mai and this link makes it an ideal place to bring the handwoven textiles as they make their way to new homes in Japan, Europe and Canada -- anywhere that natural fibres and dyes are popular.

Alleson (Pii Plaa)

#6: Pa Da Cotton Textile Museum

Dec. 12, 2009

En route to visit Mai in Ban Tan in the North of Thailand, we stop at the Pa Da Cotton Textile Museum in Baan Rai Pai Ngarm, 70 km south of Chiang Mai. We turn off the highway into a straight gravel lane that's lined on either side with towering bamboo. Ahead, in the sunlight that filters through the dense clumps, slivers of dry leaves drift towards earth like a strange fall of snowflakes inside a green cathedral. I stop the bike so that Ellen can dismount and go ahead on foot with her camera at the ready.

Several hundred meters farther on there's a beautiful teak building shaded by large trees and surrounded by mature flowering shrubs. Like many traditionally styled wooden houses in the North, it sits on sturdy posts -- tree trunks really -- about 3 meters tall. This provides room below for a wide range of activities that are protected from the glaring sun of hot season and the heavy downpours of rainy season. Here the space is used as a weaving studio.

Above is the museum, which we visited last year. It's filled with traditional handlooms and other weaving and dyeing equipment, as well as photographs from earlier times. The museum celebrates and preserves the essential traditions of local cotton textile production, including the cultivation of native species of cotton and the use of natural dyes (tree barks, roots, leaves and berries). The museum is also a tribute to its founder, Mrs. Saeng-da Bunsiddhi.

Mrs. Saeng-da was born in 1919. Like most Thai and Lao weavers, she learned the traditional skills of dyeing and weaving from her grandmother. She learned additional techniques from the ethnic minorities who live in the area, an area rich in cotton textile traditions. Like most women of the time, she wove fabrics for her family's use -- including the khaki fabric needed for her husband's uniforms during World War II.

After the war, she began collecting weaving equipment and started growing native cotton plants. Together with other local women, she started the Housewives’ Union to increase income and employment opportunities, to preserve traditional dyeing and weaving techniques and to promote handicraft production. Initially, the women wove outside harvest season (as is often still the case) but the spinning, dyeing and weaving eventually grew to employ 40 of Mrs. Saeng-da's neighbours. Decades later, on the day we visited, we saw only 4 women at spinning wheels and 2 at looms.

We greet Mrs. Saeng-da's elderly daughter, who now runs the centre. As she leads us to the textile shop that sits behind the museum, she shows no sign of remembering us: this is not unexpected, given the number of foreigners who might visit during a year but it is unusual, as most Thais do remember us even if they’ve only met us once.

We place an order for 72 placemats in the same colours and pattern that we purchased last year. The colours -- intense indigo blues, rich greens and deep purples – are stronger than we usually find and the nubbly texture of the handspun cotton adds to their charm. The combination was popular last year and we expect it will be this year too.

We are lucky enough to pick up a few scarves in the same colour palette. All these pieces -- like the museum and weaving centre -- are unique to Baan Rai Pai Ngarm. They are also testaments to the hard work of Mrs. Saeng-da, who in the 1980's was declared a National Folkcraft Artist in Thailand. We're happy to recognize and help preserve these traditional practices through our purchases.

Alleson (Pii Plaa)

[Ellen's note: Thanks to Bhothong Keowsuddhi, Director of the Northern Industrial Promotion Centre, for background information, presented in a brochure distributed at the centre.]