New creations from Prae Pan weaving co-op

Later in January than usual, we're happy to finally arrive at Prae Pan.

Fon, this weaving co-operative's shop manager, returned from maternity leave in December with her newborn son, Pai, who seems to be growing as fast as his name (Bamboo) would predict! No surprise that he (and Fon's breastfeeding) have become a special part of the fabric of life at the co-op's shop: another example how women can shape organizations to best suit their own needs.

Alleson, Pai, Fon and Mae Ouan at Prae Pan's shop

The co-op's Khon Kaen location in Northeast Thailand (known as Isaan) serves as a retail shop, office, meeting space and warehouse for textiles woven by members in 7 surrounding villages. This community business glows with the pride of self-sufficiency that has been a core value of the co-op for over 20 years.

Inside we're excited to find loads of new hemp fabric in a range of beautiful earth tones -- Prae Pan's specialty -- so, of course, we order more hemp tote bags. We designed this bag last year and found it was popular as a knitting tote.

TAMMACHAT hemp tote bag

some of the new tote bag fabrics

We're also excited to find a new design on the shop's ready-to-wear rack. Ellen tries on a pair of these unique culottes and loves them immediately! Comfortable, loose and easy to wear, they come with choices of 2 pocket designs. We carefully choose cotton, hemp and silk fabrics for the body of the pants, then in consultation with Fon and Mae Ouan, we choose contrasting mudmee (ikat) fabrics for accent details.

Ellen sports a pair of cute culottes!

Apparently choosing fabrics works up an appetite! At mid-day, mats are rolled out on the shop's gleaming wooden floors, Pai is put in his hammock and we 4 sit down for another delicious lunch. The rice is Mae Ouan's own. Afterwards dishes are cleared, mats are rolled up and Ellen lays down on the floor for a short rest. ("You ate too much sticky rice so now you want to sleep!" Mae Ouan chides,  in Thai of course.)

Every visit provides us more language lessons and more teachings about natural dyes. We ask Mae Ouan, the resident natural dye expert, to tell us more about krang, the "mother" of pink dyes:

• The colours are stronger when the insect resin (known as "stick lac" in English) is fresh.
• Krang can be collected from the trees on which the insect lives anytime -- except rainy season.
• The resin can be collected after the insect has gone through its cycle and flies away.
• In former times, most natural dyers raised their own krang (is "raised" the right word when you're dealing with insects?!); the colours were stronger, as strong as chemical colours because it was fresh; now few do this work.
• Recently, the price has increased 6 times so pink silks will be more expensive than before.

Alleson helps Mae Ouan fold organic silk fabric dyed with rosewood

More local dye wisdom:

• Colours are stronger in this season because the plants are not as saturated as in rainy season.
• The shade of grey (or grey-green) produced by ebony fruit depends on how mature the fruit is and whether it's fresh or dried.
• The leaf of a local vine, baie beuak, yields delicate shades from silvery grey to sky blue: "You don't want the water too warm or it changes the colour." If it's hot, you get a grey-green instead. Mae Ouan cultivates a planting of this that she originally got from a friend in Mukdahan province. She says, "it gives a more beautiful colour,"  so she has shared cuttings from this plant with other Prae Pan members.

fresh ebony fruit

hemp fabric (on the left) dyed with ebony

After this break that has fed our stomachs and our minds, it's back to designing! Over the next several days we look and learn, think and choose, joke and eat. Alleson shows an unexpected fondness for waltzing Pai around the shop, while Ellen probes Mae Ouan for her traditional knowledge and practices her Thai with Fon.

We order bags in almost every colour and size. Bags with zips, bags with drawstrings, bags with dinosaurs and elephants! We re-order bags that we designed 3 years ago, the Prae Pan signature shoulder pouch, and a new design -- a drawstring bag, perfect for smaller knitting projects such as socks, mittens or a hat. This year's version -- improved with feedback from local knitting shops in Nova Scotia -- will be available in the spring.

prototype knitting project bag

Last but not least, we immerse ourselves in the beauty of silks. In their glass-fronted cupboard, we find a small, treasure trove of organic, hand-reeled village silks. We unfold metres of a deep, ruddy rosewood, and smaller amounts of silvery greens and blues, all of which we will bring home with us for Quilt Canada 2012 in Halifax. (We're happy to be a "Special Friend" of Quilt Canada 2012; you can find us in the Merchant Mall, May 30-June 2 in Halifax, Nova Scotia.)

We also choose 28 beautifully unique scarves for our spring shows but find very few of our favourite Prae Pan scarf pattern, lai bpit, which we've named "Tendrils." We check on silk yarn availability (lots!) and order 8 each of 2 of our best selling colour choices -- a krang magenta and a baie beuak mint blue, both on an undyed warp.

Tendrils scarf with ebony fruit dyed weft

After 4 days of visits, we are sorry to say goodbye but thrilled to leave Prae Pan's shop with a true sign of our closeness: Mae Ouan and Fon each gives us a kilo of rice -- this year's harvest -- from their families' rice fields, another sign of our deepening fair trade relationship.

As we leave, Mae Ouan is also saying goodbye to Pai, who is now old enough to leave his mother and return to the village to be looked after during the week by Fon's husband and mother.

We look forward to next year's visit. Khit thung ("thinking of you").

Ellen and Alleson

#8: Hmong Flower Cloths

Dec. 15, 2009

From Chiang Mai we headed north by bus to Chiang Rai province to meet with a group of White Hmong sewers. Our plan was to make an order for several dozen "pa'ndau" -- pronounced "pan-dow" and often translated as "flower cloth" -- a style of reverse applique that decorates many items used by traditional Hmong families.

Having no written language, Hmong rituals and artistry have been vital in keeping their unique culture alive. Extraordinary needlework has long been a large part of that culture; Hmong girls traditionally begin to learn the stitches for pa'ndau embroidery as young as 5 years old.

The last few years, we've bought many flower cloths through the Queen of Thailand’s SUPPORT Project -- a handicraft development program designed to boost farm families’ welfare, provide women with an important source of income and preserve cultural artistry. The SUPPORT Project was launched in conjunction with The Thai Royal Project Foundation initiated by the King of Thailand in 1969 to encourage hilltribe villagers to switch from the cultivation of opium poppies to alternative crops.

The flower cloths we've brought to Canada are often mounted on a piece of hemp about 12" square, as hemp has traditionally been retted and woven by Hmong women as well. The squares have been very popular at our events, especially with fibre artists. Last year we paired flower cloth squares with organic cotton from the Pattanarak Foundation to make cushion covers, which were just as popular.

Last year Ellen also set herself the task of finding a Hmong sewing group from which we could buy flower cloths directly to assure ourselves that the women were paid fairly for their work. Several dead-ends later, she found Patricia Solar of Izara Arts, who was able to put us in contact with a group of Hmong sewers.

With the help of Izara Arts' production manager Muay -- and her truck -- we travelled several hours into the "Golden Triangle" where Thailand meets Burma and Laos. Once we reached the White Hmong village, we also had the help of Kamonnit (the daughter of the head of the sewing group, Mai Li), whose job in the group is communications, sales and accounts. In addition to Hmong, Kamonnit is fluent and literate in Thai, and reads and writes enough English to use email.

A small crowd of us gathered around a rickety tin table in front of a tiny house -- Ellen and I, Muay and the mother of another Izara staff person, Mai Li, Kamonnit, the 5 older Hmong sewers and a passing neighbour. There we all were, almost blocking the street of the overgrown hamlet which was once a refugee settlement, speaking 3 languages while we poured over some samples we had brought with us. We learned from the sewers which elements of the designs were easier to sew, and which would take  more time and therefore cost more. We also learned that no one in the area made hemp fabric, which we had suspected might be the case.

As we talked, Mai Li quickly folded a piece of paper and cut into it the shapes of one of the samples we had brought: a paper pattern that these skilled sewers could transform into a finished flower cloth. So this is how they make them so symmetrical, we realized. Ellen and I were both reminded of making paper snowflakes as children.

With the sewers' input, we settled on 2 designs that could be fairly made within our budget. We chose 3 colour combinations for each design and explained their complex details to Kamonnit, who carefully wrote out the 6 variations. We would buy the hemp backing cloth in Chiang Mai, where it was more readily available; they would provide the coloured cloth for the designs, as well as the accent threads, which we selected from a large plastic bag filled with a tangle of dozens of coloured threads. For extra clarity, we stapled to each colour of cloth 2 corresponding thread colours, while the sewers nodded their approval of this communication technique.

We made a 50% cash deposit, our usual fair trade practice, and took banking information to transfer the final payment directly into the group's bank account, once the order was finished. We promised to email the address where they would send the finished pieces by bus so they could be transformed into cushion covers by the Pattanarak Foundation, a non-governmental organization working on Thailand's other border with Laos, also along the Mekong.

A new challenge will be to find handwoven hemp cloth in Laos, home to many Hmong and other ethnic minorities who still  live isolated rural lives in the upland areas of that mountainous country.

Alleson (Pii Plaa)